Antelope Edge Note Small Diaphragm Condenser Modeling Microphone

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Key Features

  • 13 detailed mic models expand tonal precision
  • Two stage pad prevents overload on loud sources
  • High pass filters refine low frequency control
  • Cardioid pattern ensures focused instrument capture
  • High SPL design supports demanding close micing

Antelope Edge Note Small Diaphragm Condenser Modeling Microphone Overview

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The Antelope Edge Note Small Diaphragm Modelling Microphone is designed for engineers who require accurate transient response and a controlled capture of high level sources.


The Edge Note delivers a maximum SPL of 146 dB which allows close placement on drums, brass and other instruments that routinely challenge condenser microphones. Thirteen detailed modelling profiles extend the tonal range of the microphone and maintain the character of classic small diaphragm designs.


A two step high pass filter and a pad with 10 dB or 20 dB attenuation provide precise management of low frequency build up and strong input signals. With a stable back electret condenser design and full compatibility with Antelope's modelling ecosystem, the Edge Note serves as a practical and technically capable tool for modern studio workflows.

Product Ref: 339469

Full Description

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High SPL capability for controlled capture of demanding sources

The Edge Note is engineered to handle complex sessions where high volume instruments must be recorded with clarity. Its maximum SPL of 146 dB positions it comfortably in applications that include snares, toms, cymbals, brass sections and percussive instruments with strong attack.

The diaphragm maintains linear behaviour across the full frequency range which helps preserve detail during rapid transients. This performance reduces the need for corrective processing and provides engineers with a dependable signal path during close micing.

Thirteen modelling profiles for controlled tonal selection

The modelling system replicates characteristics drawn from a range of respected small diaphragm and dynamic microphones. These emulations provide options for bright, neutral or fuller voicings that can be matched to specific instruments or ensemble contexts.

Each model maintains the frequency response and behaviour of the original design which helps achieve consistent results in sessions that require varied tonal character. By working within Antelope’s software environment, these profiles can be applied in real time for monitoring or committed during recording. This approach supports efficient decision making during tracking.

Pad attenuation and high pass filtering for signal refinement

The pad switch reduces input level by 10 dB or 20 dB which prevents preamp overload when working with forceful sources. This feature is particularly relevant for engineers who position microphones close to drums or brass where sudden peaks can exceed the available headroom of connected interfaces.

The high pass filter offers two cutoff points at 75 Hz and 115 Hz. These settings help remove low frequency energy that can compromise definition in acoustic instruments or overhead placements. Together these controls support clean, accurate recordings and provide engineers with practical tools to adapt the microphone to varied acoustic conditions.

Dedicated integration with Antelope interfaces and routing workflows

The microphone operates through a single preamp input and is managed through the Antelope routing system. Users can direct the raw signal to monitoring paths or choose the emulated version when a specific model is required during tracking. Recording can be completed with or without the applied emulation which allows flexibility during production.

Compatibility extends across the Zen Go SC, Zen Q SC, Zen Tour SC, Orion Studio SC, Discrete 4 Pro SC and Discrete 8 Pro SC. With standard 48 V phantom power, low output impedance and a compact housing, the Edge Note fits securely into professional signal chains and supports a wide range of instrumental recording tasks.

Features

  • Small-diaphragm condenser microphone engineered for loud instrument recording
  • Handles high sound pressure levels up to 146 dB without distortion
  • Includes 13 classic microphone emulations for versatile tonal options
  • Two-step high-pass filter at 75Hz and 115Hz reduces unwanted low-end frequencies
  • Three-position pad attenuator offers 0dB, -10dB, and -20dB input level control
  • Delivers clean, tight recordings of snares, hi-hats, brass, strings, and acoustic instruments
  • Compatible with Antelope Audio interfaces supporting real-time mic modeling
  • Single-membrane, back-electret condenser design with cardioid polar pattern
  • Frequency response of 20Hz – 20kHz with 8mV/Pa sensitivity
  • Low self-noise of 25dB(A) and signal-to-noise ratio of 69dB(A)
  • Requires 48V phantom power and connects via 3-pin XLR
  • Includes shock mount holder for studio-ready setup
  • Compact form factor with durable matte black finish

Specifications

  • Type: Instrumental Microphone
  • Diaphragm: Back-Electret Condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz ~ 20kHz
  • Sensitivity: -42dB | 8mV/Pa (+/-3dB)
  • Self-Noise: 25dB(A)
  • SNR: 69dB(A)
  • Max Input SPL: 146dB
  • Output Impedance: 65 Ohms
  • Power Requirements: 48V DC Phantom Power
  • Output Connector: 3-Pin Male XLR
  • Color: Black Matte
  • Dimensions (Mic Body): 4.5" x 0.8" (114mm x 20mm)
  • In The Box: Shock Mount Holder